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But he said, ‘You can do it, I’ll help you get through it and we can make it happen.’
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That was new territory for me, so I was very nervous. I got a call from Forest Whitaker, who sat down with me and asked me what I thought about doing music – not just writing music but scoring. Going into the album, you’d already had so many hits – so what about this project made it this new challenge? I was taking it in, but I kind of wasn’t all the way there when it was happening. I had a huge responsibility on my shoulders because Waiting to Exhale, the book, was huge, and so the film was very important. I wasn’t in any mode to trying to pat my back on anything. I actually didn’t know that history (laughs), so wow, but it certainly makes the experience more special. You know, I was just so nervous putting it all together and making sure that everyone was happy with the songs they got, and Forest was happy with the music he got, and Clive was okay with it. Looking back, does that make the song any more special for you when you hear it today? You couldn’t know at the time, but “Exhale” became Whitney’s last No. So, ultimately, because I couldn’t think of any words, I was just kind of ‘shoop shooping’ and then the shoops started to make sense to me.” Every time I tried to write any kind of lyric to it – it felt like it was getting in the way. And I remember thinking, ‘It would be great if Whitney had a haunting kind of song.’ But I didn’t know what lyric to do. I remember, it was the year before, and I was watching Bruce Springsteen and “Streets of Philadelphia.” There was this slow song, with this hauntingness to it. How did you create ‘Exhale?’ Famously, you and Whitney have both said the famous “shoop” chorus came about because ran out of words to fill the hook with. Read on to see Babyface’s take on the album’s legacy, and even how Bruce Springsteen inspired Whitney Houston’s final No. Blige, Toni Braxton) and emerging future stars (Brandy.)įor the soundtrack’s 20 th anniversary on November 14, Billboard spoke with Babyface to detail the work’s genesis and ensuing success. Edmonds’ 16-song collection encompassed a who’s who roster of the great female R&B voices, uniting legends (Aretha Franklin, Patti LaBelle and Chaka Khan) with divas of the present (Houston, Mary J. Under his guidance, the soundtrack excelled on the strength of its female protagonists. 1 hits for Houston, Boyz II Men and Madonna, all while carving out his own successful singing career. While Houston was heavily involved in the music, the role of main architect fell to Kenneth “Babyface” Edmonds, the hit songwriter and producer who had combed No. Houston stars as one of four friends (the others played by Angela Bassett, Loretta Devine and Lela Rochon) in the film, and the soundtrack didn’t morph into The Whitney Houston Show. Unlike The Bodyguard, whose plot – both in the film and in real life – revolved entirely around Houston, Exhale became a collaboration.